ABOUT
THE ARTIST
International art critic,
Remo Nevi describes M.L. Snowden as a “Great figurative
contemporary master whose profound and powerfully realized portfolio
places the artist among the world’s most respected representational
sculptors at work today.” In 1992 Snowden won the world’s
most prestigious sculpture prize, The International Rodin Competition
in Tokyo, Japan, hosted in cooperation with the Embassies of
Belgium, Finland, France, Israel, Korea, Mexico, Netherlands,
The United States and thirty other countries.
M.L. Snowden is the sole
living inheritor of select 19th century marble carving, finishing,
casting and bronze patination techniques from the Paris studios
of Auguste Rodin and Antonin Mercié. M..L. Snowden sculpted
alongside her father for seventeen years as an apprentice and
as a professional in Snowden Studios. In 1990, M.L. Snowden
inherited a collection of 38 of the original sculpting tools
from the Rodin Studios. Rodin’s tools were bequeathed
to M.L. Snowden’s Father by the Swiss sculptor, Robert
Georges Eberhard, who was Chairman of the Yale School of Sculpture
for almost fifty years and was a professional in Rodin’s
studios in the latter part of the 19th century. Eberhard was
a mentor to the sculptor’s father, George H. Snowden,
N.A. ( 1901-1990). Who Was Who In American Art. G.H. Snowden
was a sculpture educator at Yale University for many years and
his extensive list of commissioned sculptures now constitute
national historic landmarks. The Smithsonian Institution held
a retrospective of Snowden sculpture, SCULPTURE IN THE FEDERAL
TRIANGLE.
Over the last decade,
M.L. Snowden has pursued sculpture as an expression of titanic
geological phenomena and the impact of mankind on his environment.
In 1998 M.L. Snowden was awarded the massive multi million dollar
Carano Gordon Atlanta Commission to create the sculptor’s
vision for the largest cohesive body of bronze extant in the
latter half of the 20th century. The commission to date comprises
100 works ranging to four tons apiece with an edition to 800
works of completed sculpture. In this collection, notable explorations
into extrusion, inclusion, advanced gravity pour techniques,
innovative chasing protocols, recombinant jeweler and bronze
techniques, Snowden’s restructuring of proprietary historic
wax and patina formulations and other ground breaking techniques
for the art of bronze have been advanced. In Snowden’s
GEOLOGICAL COLLECTION, the fine art of bronze is shaped, redefined
and celebrated. An ongoing 16 City national tour of M.L.SNOWDEN:
THE LEGACY OF RODIN has been made possible by Advanstar International
Art Group, Masterpiece Publishing Inc. and other sponsors.
In the year 2000, Snowden
was commissioned to create the GREAT ANGELS OF THE MAIN ALTAR
for the new $200 million Los Angeles Cathedral from a field
of 8,000 international portfolios. In addition, Snowden is the
sculptor of the ANGEL FRIEZE for the Cathedral’s Visitor’s
Center, the first representation of a group of Angels for a
permanent public setting in the history of the City of Los Angeles.
In 1989, Snowden was named the inaugural winner of the Alex
Ettl Grant for”Lifetime Achievement in American Sculpture”
presented by the National Sculpture Society in New York City.
In addition to creating the 14 foot high Glendale Police Memorial
for the new $56 million civic plaza in the City of Glendale,
Snowden’s lifetime works have been collected by a worldwide
investment syndicate to advance the formation of a museum solely
dedicated to the perpetual exhibition of Snowden’s ouevre
and heritage. Most recently, M.L. Snowden was awarded the inaugural
Presidential Order of Merit “In Recognition of Significant
Contributions to the Betterment of Humanity Through Art,”
presented by the Fine Art Foundation with the sculptor’s
work recently added to the Presidential art collection at the
White House. The sculptor maintains studios in Long Beach, Paris
and Austria.
Harvard University’s
Michael Miller, National Marketing Director emeritus of Butterfields/
Ebay writes, “These are historic works that uncannily
unite expressionism’s great inner explosions and outward
cataclysms with Europe’s golden age. M.L. Snowden’s
art is a glorious fusion - the summary of our age superceded
by the vitality of a moment.”
ARTIST BIO
M.L. Snowden, the ultimate
protégé of Auguste Rodin, has spent her life surrounded
by sculpture. Her earliest memories and every waking moment
of her life include sculpture. From the age of four, she played
in her father’s sculpture studio watching him with the
unwavering attention of a child enthralled and enchanted. At
the age of seven she began working with clay along side her
father.
As she grew, she learned
Rodin’s transcendental sculpting techniques from her father,
George Holburn Snowden, who had in turn been a favored student
of Robert George Eberhard, a protégé of the great
French sculptors Auguste Rodin, Antonin Mercié and Victor
Peters. Each of the generations -- the French masters, Swiss-born
Eberhard, and American-born George Snowden -- has contributed
to the evolution of a unique heritage of sculpting that finds
its contemporary expression through the spectacular works of
M.L. Snowden.
Part of that heritage
comes through the original sculpting tools of Auguste Rodin
that have been passed from mentor to protégé for
three generations. The tools, some of which she uses in sculpting
her own works, are a symbol for Snowden -- a symbol of the awe-inspiring
foundation upon which her work is based. They provide a physical
connection with the artistic inheritance that has been passed
down to her and represent the utter devotion to sculpture of
the artists who are part of Rodin’s legacy.
Snowden’s own devotion
to sculpture has been acknowledged through the awards that have
been bestowed upon her and her work. Early in her career, she
was awarded post-graduate study grants to the Vatican Collections
in Rome, the Uffizi in Florence, and the Louvre in Paris. At
the age of 36, she received the inaugural Alex Ettl Grant from
the National Sculpture Society for “Lifetime Achievement
in American Sculpture”. In 1992, she was awarded the world’s
most prestigious sculpture prize -- the International Rodin
Competition Special Grand Prize -- for her sculpture “Cataclasis”;
which is currently in the permanent collection of the Hakone
Museum in Japan and the White House in Washington DC.
In 2000, Snowden was commissioned
from a field of 8,000 international portfolios, to be the sculptor
for the Main Altar of the new 200 million dollar Los Angeles
Cathedral dedicated in 2002. For this commission Snowden has
created a composition of Angels which uphold the 8 ton main
altar. In addition, Snowden is the sculpture of the Angel Frieze
for the Cathedral’s visitor center, the first representation
of a group of Angels for a permanent public setting in the history
of the City of Los Angeles.
M.L. Snowden created a
14 foot high Glendale Police Memorial for the new $56 million
civic plaza in the city of Glendale, CA. Most recently, M.L.
Snowden was awarded the inaugural Presidential Order of merit
“In Recognition of Significant Contributions to the Betterment
of Humanity Through Art” which has been added to the presidential
permanent art collection at the White House.
M.L. Snowden’s current
body of work evokes a geological theme of the impact of mankind
on his environment. Snowden’s sculpture humanizes the
forces in nature, which lead to the formation and evolution
of our Earth. Snowden’s sculptural genius demonstrates
itself in her ability to personify these forces and allow the
viewer to feel and intuitively understand the phenomena that
is otherwise only accessible as an abstract geological science.
In the same forms, she communicates the nobler side of man’s
endeavors and issues a call to humanity, challenging us to recognize
certain truths that are universal to all creation - whether
it is organic or geologic in nature.
Preserving the
Legacy of Auguste Rodin
In 1992, M.L. Snowden
became the fourth artist to receive the coveted Rodin Prize
for sculpture. The work, entitled Cataclasis, won kudos from
artists and critics throughout the world, and was selected from
a field of over 500 juried entries. The unique fortuity behind
Snowden’s receipt of the prize, however, rests in her
compelling history and extraordinary legacy, for Cataclasis
was sculpted with both Rodin’s technique and his original
sculpting tools, passed directly down to her through generations.
Mary Louis Snowden is
the daughter and protégé of master sculptor, George
H. Snowden, whose numerous accomplishments throughout his 65
year career include over 100 public placements (the pediment
of the U.S. Postal Service Building and the altar of the Shrine
of the Immaculate Conception in Washington, D.C. being among
them), sculptural design for many major Hollywood films including
“Ben Hur” and “The Robe”, and the design
of many of the original sculptural elements for Walt Disney’s
Disneyland and Epcot Center theme parks.
George H. Snowden came
upon sculpture as a career quite by accident. In the early 1920s,
a Catholic priest arrived at the doorstep of Yale University
sculpture professor, Robert Eberhard, with an exquisite clay
sculpture of the head of Christ in his hands. Upon seeing the
sculpture, Eberhard immediately demanded that the artist be
brought to Yale and interviewed for enrollment. The young sculptor,
an indigent laborer in a small rural town, was George H. Snowden.
After a grueling interview
process in which the elder Snowden accomplished the impossible
task of producing three years’ worth of meritorious work
in a single summer, the Yale faculty admitted him to the university
and hired him as a sculpture assistant to Professor Eberhard.
The Swiss-born Eberhard
had been the protégé, friend and sculpture assistant
to the great Auguste Rodin at his Villa studio at Meudon, France.
Rodin bequeathed the very tools he had used in sculpting his
master works to Eberhard in recognition of his contributions
and artistic potential.
When Rodin passed away
in 1917, Eberhard emigrated to the United States and was quickly
accepted as a sculpture professor at Yale University. When George
H. Snowden entered the fold, Eberhard adopted him as the recipient
of the Rodin legacy, eventually passing down the Rodin tools
to Snowden in a celebration of his achievements and masterful
skill.
M.L. Snowden received
the Rodin tools upon her father’s death in 1990, an event
that sent her spiraling into a deep reclusion. As the imaginative
daughter of a renowned sculptor, Mary Louise had spent much
of her young life in her father’s studio. She learned
to sculpt using Rodin’s transcendent technique by watching
her father’s masterful hand and sculpting her own work
under his guidance.
It was during her self-imposed
reclusion from 1990 to 1997 that M.L. Snowden created the Rodin
Prize-winning sculpture, Cataclasis. Since 1998, she has been
openly sharing the Rodin legacy with the world. Her work, which
is now available as select bronze limited edition sculptures,
tours the country along with the Rodin tools.
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