Sometimes it takes awhile for an artist to find himself. Such
is the case with French-born, Philippe Bertho. He has been
a lumberjack, a salesman, a warehouseman and more. But when
a true artist finds his voice, the results can be nothing
short of masterful. And masterful is the best word to describe
this extraordinary artwork.
Philippe Bertho is classically
trained having enrolled in art school in Reims, France in
the early 1990s. There, he spent considerable time studying
decorative trompe l’oeil painting. Tromp l’oeil
(“to fool the eye”) is a technique used by artists
to create the illusion of a 3rd dimension on a flat surface.
As a technique with which Bertho has grown adept, it is obvious
from his artwork that he fools more than the eye - he draws
one in by the heart and also quite frequently by the funny
bone.
First in his class, Bertho
graduated from art school with honors and then went on to
paint frescoes and poster art while also working as an art
teacher. Along the way, he refined his painting technique
by copying the great masters. Originally, he worked in oil,
but finally settled on the more contemporary medium of acrylic
paints.
Despite his ability to perfectly
render reproductions of master works, Bertho was drawn to
the world of fantasy and illusion. As his style developed,
he drew inspiration from renowned contemporary trompe-l’oeil
artist, Jacques Poirier. In his early work, Bertho exhibited
ingenuity by including unusual materials in his paintings.
Employing objects that other’s found useless –
corrugated iron, rusted metal boxes, old light bulbs –
he was fascinated with his ability to bring his art alive
by creating dimension – either by the addition of these
items directly onto his canvas or later through the technique
of trompe l’oeil.
In 1995, Bertho’s artwork
garnered accolades at the Regards sur les Arts salon show
- a new talent showcase in Lamballe, France. He was well on
his way to developing his unique approach to trompe l’oeil
painting. The style that he developed cast a new look on everyday
objects, transporting the viewer into an imaginative and rich
world. It has been said that Bertho’s paintings create
a world where the whimsical meets the witty, a juncture between
the fanciful and the eccentric. And into his paintings, Bertho
inserts mischievous characters – climbing, searching,
running, thinking - each painting evolving into a “hyper-realist”
world, little scenarios of his own ingenious invention.
Most recently, his attention has turned towards Pop Art. Using
a combination of narrative figuration and Pop inspiration,
the result has become the basis for his simple, thought-provoking
artworks. It is as if these works define the phrase, “the
more you look, the more there is to see.” In an artistic
sense, his technique is precise, crisp and masterful. In an
imaginative sense, the surreal nature of his artwork begs
the question, “What was the artist thinking when he
painted this?” Perhaps the question should be, more
accurately, “What are we thinking when we view his artwork?”
The tiny characters that inhabit the bizarre world created
by Bertho’s paintings seem to nonchalantly accept the
ridiculous situations they find themselves in, as if it is
perfectly normal to read a newspaper or do a tap dance while
perched inside of a bubble. Others seem determined to explore
the illusory three-dimensional space of the canvas - climbing
in and out of spheres as children do on a playground. It seems
absurd that they are not dismayed at their surroundings -
or is it absurd that we are?
There are no correct answers,
only more questions posed by viewing each of Bertho’s
imaginative paintings. There are as many different responses
as there are people viewing his artwork. This is precisely
what makes his work attractive and confounding, simplistic
and complex, all at once.
Philippe Bertho is an extraordinary
new and young talent and he is beginning to garner strong
attention within and from outside of the art world. To our
delight and enjoyment, he has finally found his voice and
is beginning to fulfill his artistic calling. Determined to
stay true to his imagination, sense of humor, rich creativity
and distinct originality, Bertho’s leitmotiv seems to
be – to keep his unique personality intact, at all costs,
and to share with each of us a glimmer of that personality
in these remarkably unique paintings.
Bertho’s artwork is
widely collected by institutions and individual collectors
worldwide, and has been shown in galleries in Europe, the
United States and the Caribbean. He has participated in salon
shows and exhibitions throughout France.
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